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DateLecture
08 January 2019The Sculptures of Henry Moore and Anthony Caro
04 December 2018Food and Art through the Ages - from Renaissance sugar to 3D printing
06 November 2018The Queen of Instruments: the lute within Old Master paintings
02 October 2018Artists and Espionage - The Lawn Road Flats NW3: Modernist living in mid-20th century London
18 September 2018New Evening Event for The Arts Society Gade Valley
03 July 2018Climbing Buildings
05 June 2018Let the Games Begin! The Cotswold Olympics rebound
01 May 2018Angels from the Realms of Glory: The Wilton Dyptych and the Roof of Westminster Hall
03 April 2018Les Parisiennes: how women lived, loved and died in Paris, 1939-49
06 March 2018The Renaissance Art Market
06 February 2018A Bit of Slap and Tickle: the materials and techniques of Constable's Brighton paintings, 1824-28
02 January 2018Fakes and Forgeries: the art of deception, insight into the methods used by criminals to dupe the art market
05 December 2017The Christmas Tree - from forest fir to festive feature
07 November 2017Women Behind the Lens - outstanding female photographers and their contribution to the art of photography
03 October 2017The Scottish Colourists
04 July 2017Modern Art and the Old Masters: the new approach to familiar themes in 20th century art Lecture preceded by the AGM
06 June 2017Imperial Purple to Denim Blue: the colourful history of textiles
02 May 2017The Art & Science of the Lunar Society
04 April 2017"A View from the Plinth": a critical look at public sculpture
07 March 2017Lecture 'Habitat Catalogued' followed by MARCH LUNCH
07 February 2017Thomas Heatherwick: "The Leonardo da Vinci of our times"
03 January 2017Guildhall and Guildhall Art Gallery - Hidden Gems in the Heart of the Square Mile
06 December 2016Children’s Book Illustrations
01 November 2016Undressing Antiques
04 October 2016Vivaldi to Venice
05 July 2016‘Drink thy Wine with a Merry Heart’: a Pictorial History of Drinking Glasses
07 June 2016Wimples to Wellingtons: a History of Dress and Fashion
03 May 2016The Angela George Memorial Lecture: JMW Turner and the Day Parliament burned Down
05 April 2016A Little Paradise: Laos, from Historic Buddhist Temples to Modern Silk Weaving
01 March 2016The Gears of Conquest: the Norman Knight, his Armour & Weapons, and the Bayeux Tapestry
02 February 2016Founders and Treasures of the Wallace Collection
05 January 2016‘in paynted pots is hidden the deadliest poyson’ : English Deftware Drug Jars

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The Sculptures of Henry Moore and Anthony Caro
Ray Warburton
Tuesday 08 January 2019

Henry Moore established a new sculpture from the 1920s based on Cubism, abstraction and other cultures. He often sculpted family groups and reclining figures. When Anthony Caro studied sculpture in the 1940s he was taught by traditional sculptors.  Seeking to be modern he became Moore’s studio assistant for two years and made Moore-like sculptors. In 1959, Caro met with American abstract artists, and in consequence changed his approach, relying on sheets of steel to produce non-figurative sculptures. Subsequently Caro publicly criticized Moore for being a showman and thwarting younger talent. Moore took it badly and relations between them never fully recovered. This lecture traces the career of both Moore and Caro, and describes their time together, their falling out, and their respective impact on modern sculpture. This lecture will be jargon-free with audience engagement, backed by high quality slides.

Image: Henry Moore ‘Recumbent Figure’, 1938, Tate.
Credit: The Henry Moore Foundation